While Chris Tilton has been composing for many years, I only just discovered his music when I first heard the score from Assassin's Creed Unity. I instantly fell in love with it. It is definitely one of the best game scores I have listened to. You can hear his music from Volume 1 of the score. I felt that Ryan Amon (the Bonus Tracks) and Sarah Schachner (Volume 2) did an excellent job, but it easy to say that Chris Tilton's Volume 1 is easily far superior.
The EP for Divide is out and ready to listen to. If you are subscribed to a streaming service, I highly recommend you look for it (I guarantee it is available to you). If you enjoy it, it can be purchased through Bandcamp, which will allow you to access a lossless copy of the music. It is currently $2.99.
The Divide EP is also available on Bandcamp if you prefer some hi-res audio - https://t.co/fQRNln3Cb7— Chris Tilton (@christilton) December 8, 2016
In Tilton's new score for Divide, you definitely get the same feel and similar sound from Assassin's Creed Unity. Unfortunately this is an EP which is very short. I am hoping, along with others I would expect, that we will eventually see a regular release of the score that is more full of content. As of this time I have not found anything that points to a release of this kind.
Let me know what you think of this score in the comments. Are you hoping for an extended version as well?
composed the music for the first and second as well as 
. I honestly am not a huge fan of this music, but it does in fact fit the period of the game very well, which take place during the middle ages/Renaissance period.
returned for 
, which spiked my interest. This music is much better, especially since Lorne Balfe was brought on to work on the multiplayer content. Generally, high expectations are put on film composers, so being a composer mostly for films, 
lived up to my expectations on his work for this score.
set in the beginning of this score is just amazing.
for handheld gaming systems is 
. Winifred Phillips scored this game and met the high quality sound that 
put on the III name in the series.
scored the fourth major installment named 
. This game takes place around the same time and place of Pirates of the Caribbean when pirates were one of the biggest threats. The score is very calming and does not reach the high intensities that is common with 
. It does its job very well, making me think of the ocean and the Caribbean. I enjoyed this entire score from beginning to end.
and 
. 
(
), 
(
), and 
(
) scored 
takes on the violent French Revolution with fast spiccato and impressive intensity. The interesting thing about these two is that there are slight hints of the theme from 
's music is by far better than the other music produced in 
. While I do believe that 
's music for this game does fit the setting perfectly, the overpowering violin at times can get a bit obnoxious. Of course, this is probably the style of music that was popular at the time, so I still applaud his work, just not so much outside of the game.